(Photos by Danijel Kralj for danci ceramics)
Saturday, 19 April 2014
Sunday, 13 April 2014
Call me old-fashioned, but I really love this simple and beautiful “Old Viennese Rose” from the Vienna Porcelain Manufactory Augarten. Even though I am not the type of person to have complete Meissen porcelain dinnerware in a glass cabinet in my dining room (like our grandmothers did), this is probably the only flower-patterned dinnerware I would really like to have.
Last time I stayed in Vienna, I went on a guided tour through the Vienna Porcelain Manufactory Augarten. During the tour, we visited the artists who paint all the porcelain by hand. There was one lady who patiently worked on the “Purple Rose” pattern. In the manufactory’s shop and museum I saw the “Old Viennese Rose” porcelain again. A few days later I visited some good friends, and I spotted it again, the good old Viennese Rose. When I came back home to Switzerland, a very, very dear friend and a former working colleague posted the same “Viennese Rose” post stamp on my Facebook wall.
This “Rose” seems to follow me. Even though the “Viennese Purple Rose” was created in the era of Biedermeier, it didn’t lose any of its popularity.
A few weeks ago, I checked the Austrian online selling platform for the vintage articles and I was surprised that there are so many of the old complete Augarten’s “Old Viennese Rose” sets that are still offered for sale. Many times it was noted that the porcelain dinnerware is old, but never used. It had been locked up in some grandma’s glass cabinet.
For many people, this dinnerware was obviously too precious for a daily use. Also, I can imagine that it was purchased as dowry for the wedding. Maybe it was just a matter of prestige to own this particular porcelain dinnerware.
One thing is sure: if I had the "Old Viennese Rose" porcelain cup, I would enjoy drinking my tea out of it.
Monday, 7 April 2014
|Turquoise zebra egg, stoneware, 30 cm in length, 15 cm in height.|
Easter is just around the corner, so I wanted to show you my favourite Easter egg. I think that my love for zebra stripes and my obsession with the turquoise colour are no secret. This egg incorporates them both, so here it is, a silly turquoise zebra egg.
I made the zebra pattern with liquid latex. I applied the latex on the bisque ware with my finger (I really hate to clean brushes). As soon as the latex got dry, I glazed the entire egg with my turquoise glaze. The latex stripes serve as a barrier so the areas with the latex on it didn’t soak the glaze. Those parts will stay unglazed. When the glaze is completely dry, I can pull the latex stripes away. It is very important to remove all the latex, because I'm pretty sure the kiln wouldn’t be happy about it.
|Freshly glazed egg and removed latex stripes.|
Saturday, 29 March 2014
Something amazing happened yesterday. I went for a walk with my son to the nearby biotope. Last time we went there it was in the middle of the winter so now I hoped to show him the awakening of nature.
We left the village behind us. Then we took the path that goes uphill, with beautiful and peaceful scenery with many old wooden barns scattered along green undulating meadows. This is where my son started to slow down, complaining that he is too tired and that he would like to turn back. So I had to promise him that just around the corner there is a big surprise waiting for us. What I had in mind was all kind of animals, birds and all the newly sprouted vegetation.
When we came to the biotope, it was not exactly the bucolic landscape what we saw. There were huge diggers everywhere, bare ground, ditches, huge piles of stones and something that made my heart beat faster. Clay! The diggers were spreading clay at the bottom of the future pond. I asked one of the workers if the clay comes from this biotope, but he told me that it was delivered from the nearby gravel quarry.
Until this exact moment it never crossed my mind to search for some local clay. Even though I was always secretly dreaming about it: Digging my own clay from the local river bank, purifying it from the branches and stones, letting it mature in a ditch and then one day make something beautiful with it. But, let’s be realistic: I am happy when I can find time to even work with clay in the first place.
So I decided to take a sample of clay and test it in my next firing. If it is good enough, I will probably go to this gravel quarry and try to get some more. And I guess I will not be digging it by myself after all; I will let the machines do it for me.
Thursday, 20 March 2014
When I think about my life, there are a few things I would do differently if I had a chance. One is that I would study ceramics at the University of Applied Arts in Vienna. Every time I visit Vienna, I catch myself sneaking through its studios. The huge ceramic atelier with a high ceiling is situated at the ground floor of a beautiful old brick-facade building at the Oskar Kokoschka-Platz. The ceramic studio is filled with light and a good portion of artistic flair.
There is a big area with pottery wheels and working tables, a separate room for the plaster mould making, glazing and a kiln room in the basement. The floors are full of clay dust. The shelves are filled with moulds and pots.
I wanted to make a few photos of the atelier so I asked for permission. Instead of a quick sneak inside, I started a very nice conversation with ceramicists who work there. When I told them how much I wanted to study there, they explained me that the Institute of Ceramic Arts has been shut.
It is no longer possible to study ceramics at the University of Applied Arts in Vienna. The same happened with classical sculpture. The only reason the ceramic atelier is still there is to support other departments such as a design. How could that happen? Am I such an old fashioned person that I just don’t understand the importance of the rise of digital media and gender studies?
Well, the world is changing and I have to accept it. However, every time I visit the ceramic studio at the University of Applied Arts I have to think of the grand dame of ceramics Lucie Rie. She had studied ceramics in these exact rooms.
I just hope that this ceramics atelier remains as it is: full of clay, dust, plaster, arts and history.
Tuesday, 4 March 2014
Last week I went on a guided tour through the Vienna Porcelain Manufactory Augarten. Even though I took the same tour some 15 years ago, I found it very interesting to look behind the scenes of professional porcelain making again. In this one-hour tour, you can catch a glimpse behind the scenes: From mixing porcelain from kaolin, feldspar and quartz, to slip casting, throwing, sanding and firing until the final glazing, painting and distribution.
As a studio potter, I have the same or a very similar workflow. Nevertheless, I was fascinated by the fact that there is a separate section for each production step. When I think of the way I work in my one-room studio, it makes me feel rather small. On the other hand, I have never considered the lack of space as an obstacle in my creativity.
I was nearly breathless while sneaking between huge shelves filled with plaster moulds and huge amounts of porcelain-ware waiting to be fired or painted. Another thing that amazes me is that all the filigree decoration patterns on their porcelain are hand-painted by skilled artists. When you look at the final products, it is hard to believe that they were not finished by a machine.
Unfortunately I was not allowed to take photos during the tour so I cannot share any with you. If you want to learn more about this nearly 300 hundred years old institution, you can check their nicely made homepage. Also I can recommend this short video.
If you ever come to Vienna, or if you live there already, visit one of the oldest European porcelain manufactories.
Friday, 21 February 2014
The evening of the vernissage was a great success. All the tension and worries, that bothered me a few days before the vernissage, were gone as soon as the first visitors arrived. I met a lot of interesting and inspiring people and I was happy to have family and friends by my side. Beside my ceramics and textile art from Gabrielle, the guests enjoyed the gentle tunes from my brother’s guitar. Here are a few moments of this wonderful evening.
(Photos by Lea Steinmann for danci ceramics)